Tuesday, March 31, 2009

The Changing Face of Tamil film Industry

The not-so-macho-looking macho heroes, thugs with unruly hair who roam in packs but disciplined enough to come at the hero one-at-a-time, heavy looking thugs getting beaten up by beaten-rice sized heroes – ah! those fancy days of Tamil cinemas. Those days when the dialogues were as innovative as the idea of a circular wheel today, and the sequences of scenes followed the diktats of the days of Sivaji and MGR, when watching movies was an effort of sitting through and appreciating the talent of the teams involved in repeating the age old chants just like the school kids – the days of Tamil cinema from the time I began to watch movies. Thankfully, I think those days are coming to an end. Why? Some of the movies coming out now are highly refreshing; they give me the audacity to hope. The songs are still there, the fights are still there, the villains are still getting beaten up. But there is an element of believability. Some of the recent movies like 1. Unnale Unnale, 2. Anjathey, 3. Saadhu Mirandaal, 4. Polladhavan, 5. Vennila Kabaddi Kuzhu, 6. Subramaniapuram have been so good to watch.

What is so special about these movies? Well, they start with a story - stories with a bit of realism here and there. The crew have started with a story, worked on it, and then went to cast the actors. This is a path-breaking effort in Kollywood! Making a movie had become a mechanical work. Get dates from a huge hero, put in 4 songs and an item number, arrange 4 fights in the middle, and then add mother or father or both, let us see who is supposed to be killed by the villain and how the hero fights the injustice. How much difference it makes when you start with a story rather than a hero! Albeit some of the movies listed above have some negatives, there are still some refreshing things in the movie that even out, if not outweighing the negatives. It just shows that a bit of realism here and there would go a long distance in outweighing the unwanted aspects and repetitions.

I have heard of some more movies which are good, but then it has been long since I have taken anyone's word for Tamil movies. When I land on some such movies, maybe I will like them. But please, someone should say no more formula movies. For example, Villu was an absolute disgrace. Prabhu Deva should be stopped from movie making.
Out-of-place songs go a long way in irritating a viewer. Making a movie is similar to writing a paper to publish in an academic journal. Any piece that is out of place, or is not substantiated or is unnecessary would only irritate the reviewer and increase the chances of rejection. Repetition of an earlier work, without acknowledgement, would surely be kicked out. The same applies here too. Did the piece of prose in italics irritate you because it was out of place and without any connection? The same happens in movies too.

One could argue that it is just for entertainment and no need for strict rules in making movies. I say, making movies is their profession. And any professional cannot be allowed to get away with mediocrity, be it in any field. Cricket is for entertainment, would the fans keep quiet if the team does not perform well? Why doesn't the same apply here?